未知%方程式

This long)-lost masterpiece o+f hardc_]+*ore=]! gay erotic ;#cinema cent/
er, s o=$n a,() han=+dso me y!oung stud. who\[/ rides his motorcy)cle th\[-rough myriad sexual encounters, from a s*.occer ga*me’s locke  #r ro$,om ==
t@@o a .pha-.$ntasmagoric and de=epl:^y melanc!h[ .oly org
y. A labyrinth o= (,f all-male f??a:nta`):s_^ie@+s whose outsta(#nding 
+beaut[]]ies /always end up fading awa! y whi.@le leaving= their sensu,al \[?pr)ot],agonist@ dealing!,/ with his ow+]n loneliness, E `QUATION _/ was dir-%]ec #ted with supr!%*eme gra_ ^ce by the -: myst+?erious Die``tri.ch de( V?
elsa (aka Francis Sa#
vel/Frantz Sa$,li_\eri). A f@]ormer pa?#/inter, de%@.@ Velsa was also the o.wn]er- a/nd ar.ti @st) ic director of La Grande Eugène, one #of =,th$e f@irst : dr?^ag %[cabare*;%ts in Paris,. Yea;!%rs later/,. he collaborat%ed? with ,+(Joseph 
Losey ^on MR.=\^ KLEIN (1976)[)` and DON GIOVANNI (197 $-9). His one and o_ nly film, )\!E+Q]UATION T(O AN ?]UN@-KNOWN s/$tands? as one +.-]of t?\\he mos_/t extraor+dinary #!?ero%tic f
ilms o]?f all time.
@) “The most mel+:ancholic por(=$^n film I’ve ever /@se
+?_en. It$’s_^ very sad, a^nd aesthetically beaut:if? `ul-. Just\; a young m[:a-n wandering thr) o(#*ugh several depic]tions of love)] and ch[oreograph;(ies**) of ]l)ove-maki( ng; it’s lik]e a ce`remo\ny, ;_a@=$ cer+
$emony of) fantasies, espe!=cially th `e]` las==
!t seque:nce wh$ ere the main chara\,ct.\er recalls all his ;^previous (
 fan:tas\=ies, which come one by one aroun#!d his )#+bed= and=#.% make love ,to h im. I thin_.k it’s one of t#he most beautiful film s
?e@
#quenc%@es of F]/rench*[( c ine+! ma.#=#”]) ,?–Yann G((`\onzal ez